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鼎是我国青铜文化的代表
鼎是我国青铜文化的代表
Ding is the representative of Chinese bronze culture
它是文明的见证，也是文化的载体。根据禹铸九鼎的传说，可以推想，我国远在4000多年前就有了青铜的冶炼和铸造技术；从地下发掘的商代大铜鼎，确凿证明我国商代已是高度发达的青铜时代。中国历史博物馆收藏的“司母戊”大方鼎就是商代晚期的青铜鼎，长方、四足，高133厘米，重875公斤，是现存最大的商代青铜器。鼎腹内有“司母戊”三字，是商王为祭祀他的母亲戊而铸造的。清代出土的大盂鼎、大克鼎、毛公鼎和颂鼎等都是西周时期的著名青铜器。鼎和其他青铜器上的铭文记载了商周时代的典章制度和册封、祭祀、征伐等史实，而且把西周时期的大篆文字流水槽钢模具 不锈钢铸件 扭王字块模具 井盖钢模具 标志桩模具 调匝式消弧线圈 风冷控制柜 烤漆龙骨传给了后世，形成了具有很高审美价值的金文书法艺术，鼎也因此更加身价不凡，成为比其他青铜器更为重要的历史文物。美学家李泽厚认为，中国青铜器以其“特有的三足器——鼎为核心代表，器制沉雄厚实，纹饰狞厉神秘，刻镂深重凸出”，是我国青铜艺术成熟期最具审美价值的青铜艺术品。
It is the witness of civilization and the carrier of culture. According to the legend of Yuzhu Jiuding, it can be inferred that bronze smelting and casting technology existed in China more than 4000 years ago, and the large bronze tripod excavated from underground proves that the Shang Dynasty was a highly developed Bronze Age in China. The "Simuwu" square tripod collected by the Chinese History Museum is the bronze tripod of the late Shang Dynasty. It is rectangular, quadruped, 133 centimeters high and weighs 875 kilograms. It is the largest existing bronze ware of the Shang Dynasty. There are three words "Simuwu" in the belly of the tripod, which was coined by the Shang King to sacrifice his mother E. Dayuding, Dake Ding, Mao Gong Ding and Songding unearthed in the Qing Dynasty are all famous bronzes of the Western Zhou Dynasty. The inscriptions on the Ding and other bronze wares recorded the historical facts of Shang and Zhou Dynasty, such as the rules and regulations, the seal seal scripts, sacrifices and expeditions, and passed on the seal scripts of the Western Zhou Dynasty to later generations, thus forming the art of golden calligraphy with high aesthetic value. Therefore, the Ding became more valuable and more important historical relics than other bronze wares. Li Zehou, an esthetician, believes that Chinese bronze is the most aesthetic bronze art in the mature period of bronze art in China, with its unique tripod-tripod as the core representative, heavy and solid implements, fierce and mysterious decoration, and deep and prominent carving
Ding is the representative of Chinese bronze culture
它是文明的见证，也是文化的载体。根据禹铸九鼎的传说，可以推想，我国远在4000多年前就有了青铜的冶炼和铸造技术；从地下发掘的商代大铜鼎，确凿证明我国商代已是高度发达的青铜时代。中国历史博物馆收藏的“司母戊”大方鼎就是商代晚期的青铜鼎，长方、四足，高133厘米，重875公斤，是现存最大的商代青铜器。鼎腹内有“司母戊”三字，是商王为祭祀他的母亲戊而铸造的。清代出土的大盂鼎、大克鼎、毛公鼎和颂鼎等都是西周时期的著名青铜器。鼎和其他青铜器上的铭文记载了商周时代的典章制度和册封、祭祀、征伐等史实，而且把西周时期的大篆文字流水槽钢模具 不锈钢铸件 扭王字块模具 井盖钢模具 标志桩模具 调匝式消弧线圈 风冷控制柜 烤漆龙骨传给了后世，形成了具有很高审美价值的金文书法艺术，鼎也因此更加身价不凡，成为比其他青铜器更为重要的历史文物。美学家李泽厚认为，中国青铜器以其“特有的三足器——鼎为核心代表，器制沉雄厚实，纹饰狞厉神秘，刻镂深重凸出”，是我国青铜艺术成熟期最具审美价值的青铜艺术品。
It is the witness of civilization and the carrier of culture. According to the legend of Yuzhu Jiuding, it can be inferred that bronze smelting and casting technology existed in China more than 4000 years ago, and the large bronze tripod excavated from underground proves that the Shang Dynasty was a highly developed Bronze Age in China. The "Simuwu" square tripod collected by the Chinese History Museum is the bronze tripod of the late Shang Dynasty. It is rectangular, quadruped, 133 centimeters high and weighs 875 kilograms. It is the largest existing bronze ware of the Shang Dynasty. There are three words "Simuwu" in the belly of the tripod, which was coined by the Shang King to sacrifice his mother E. Dayuding, Dake Ding, Mao Gong Ding and Songding unearthed in the Qing Dynasty are all famous bronzes of the Western Zhou Dynasty. The inscriptions on the Ding and other bronze wares recorded the historical facts of Shang and Zhou Dynasty, such as the rules and regulations, the seal seal scripts, sacrifices and expeditions, and passed on the seal scripts of the Western Zhou Dynasty to later generations, thus forming the art of golden calligraphy with high aesthetic value. Therefore, the Ding became more valuable and more important historical relics than other bronze wares. Li Zehou, an esthetician, believes that Chinese bronze is the most aesthetic bronze art in the mature period of bronze art in China, with its unique tripod-tripod as the core representative, heavy and solid implements, fierce and mysterious decoration, and deep and prominent carving
